the KEY is setting up the driver prefs correctly. I think the issue is rb can sometimes be 'fiddly' to set up depending on the audio interface. The right tool for the right job it was my attitude all my working life so why not for music.ĭid you study the realband manual and i think there are vids now on setting up realband. It is also fairly easy to remove unwanted noise and things like that. In Reaper for example it is extremely easy to adjust the play rate of a piece or have the levels of various parts move, or manipulate panning on the fly. I could use BIAB to mix and record the extra bits I might want to add but once again to me would not be efficient. I guess I could do this in Reaper or Cakewalk but it would be nowhere near as good nor efficient. I use BAIB to design, layout and input the chords and various instruments for a song as that to me seems the best tool for that job. In Reaper it is easy to create menus and possible to design tools for specific functions making Reaper more flexible than Cakewalk (IMHO) I used Reaper for mixing as that DAW provided advantages in that area.Īs I got on and learnt more about Reaper’s scripting and other flexibilities I am slowly but surely tending to go to Reaper for all my DAW needs. I tended to use Cakewalk for MIDI as I really understood MIDI operations in that Cakewalk. But and it’s a big BUT to use a tool made for specific tasks makes the job simpler, more efficient if not better.įor years I used various versions of Sonar then when things were looking dicey with Cakewalk I got into Reaper as well as Cakewalk by BandLab. One could use a hammer to drive in screws or for that matter a screwdriver to hit in nails. This question to me is a bit like why buy a screwdriver if you have a hammer. Sometimes that's the only reason I can give you: it works, it's easy, and I'm fine with things as-is. Yes, I could do this function in a DAW or other programs, but I learned this one over two decades ago, also. One tool I still use frequently is a stereo Wave file editor, Adobe Audition. No one has yet written the perfect software tool to do everything, so choose those tools that work best for you. Preferences in workflow would normally be in consideration, too, so pick what works for you. My reasons are not as likely to be your reasons. The reason is that it is tightly integrated with my notation program, Presonus Notion 6, so when I wanted to change to a stable and future-proof DAW, and change to a notation program that was more current, user-friendly and stable with great sounds easily available to a composer, I chose this pair. Now I use Presonus Studio One version 5 as my DAW. The reason was that I learned it long before PG Music offered RealBand. These are all the same DAW product as it has evolved. I used Cakewalk Pro Audio, then SONAR, then briefly BandLab by Cakewalk.
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